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I suppose the problem ... is that we have an inside and an outside. We've got problems both places, but it's so hard to tell where the one stops and the other takes up.
Samuel R. Delany
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Samuel R. Delany
Age: 82
Born: 1942
Born: April 1
Author
Cartoonist
Essayist
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
New York City
New York
Samuel Ray Delany
Jr.
Samuel Ray Delany
Chip Delany
Samuel Ray Chip Delany
Jr.
K. Leslie Steiner
S. L. Kermit
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Outside
Problems
Inside
Takes
Tell
Problem
Stops
Hard
Suppose
More quotes by Samuel R. Delany
I think of myself as a very lazy writer, though other people see it differently.
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I am in terror of the infinity before me, having come through the one behind bringing no knowledge I can take on.
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Reality must prove itself again and again to questioners ... it is the fantasy which goes on without contradiction, without having to prove itself.
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But I realized something. About art. And psychiatry. They're both self-perpetuating systems. Like religion. All three of them promise you a sense of inner worth and meaning, and spend a lot of time telling you about the suffering you have to go through to achieve it.
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It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s.
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'You spin in the sky, the world spins under you, and you step from land to land, while we . . .' She turned her head right, left, and her black hair curled and uncurled on the shoulder of her coat. 'We have our dull, circled lives, bound in gravity, worshiping you!'
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Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.
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Ambition like a liquid ruby stains.
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As a prose writer, I work with language and those who work with language turn to poetry for renewal.
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I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.
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The night ... it is filled with bestial watchmen, trammeling the extremities and the interstices of the timeless city, portents fallen, constellated deities plummeting in ash and smoke, roaming the apocryphal cities, the cities of speculation and reconstituted disorder, of insemination and incipience, swept round with the dark.
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A sentence has meaning in the sense that a train has a track, not that a train has a passenger.
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Breathing is a fascinating thing to watch in a woman.
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There is a sense of decency that's like a barometer to a man's or a country's health.
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The truth is always multiplex.
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It is easier to argue that something nobody believes in actually exists than it is to argue that something everybody believes in is unreal.
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The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
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I took my writing seriously, and it seemed to pay off.
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Science fiction doesn’t try to predict the future, but rather offers a significant distortion of the present…We sit around and look at what we see around us and we say how can the world be different
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Many of the early greats of sf Hugo Gernsback (publisher of Amazing Stories) in particular saw themselves as educators. The didactic thrust of science fiction got the genre initially pegged as children's fare. It was seen, at its best, as an extension of school and, at its worst, as teenage wish fulfillment.
Samuel R. Delany