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Ah, well, during the Middle Ages, religion was often able to redeem art. Today, however, art is about the only thing that can redeem religion, and the clerics will never forgive us for that.
Samuel R. Delany
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Samuel R. Delany
Age: 82
Born: 1942
Born: April 1
Author
Cartoonist
Essayist
Journalist
Literary Critic
Novelist
Science Fiction Writer
Writer
New York City
New York
Samuel Ray Delany
Jr.
Samuel Ray Delany
Chip Delany
Samuel Ray Chip Delany
Jr.
K. Leslie Steiner
S. L. Kermit
Age
Thing
Religion
Clerics
Never
Often
Redeem
Ages
Art
Forgive
Today
Forgiving
Able
However
Wells
Middle
Well
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Breathing is a fascinating thing to watch in a woman.
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If you are to stay in the good graces of the powerful, you had best, however unobtrusively, please the servants of the powerful.
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A sentence has meaning in the sense that a train has a track, not that a train has a passenger.
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I am in terror of the infinity before me, having come through the one behind bringing no knowledge I can take on.
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The pleasures of love are really quite wonderful--though I suspect they are rather a luxury and require a certain level of socioeconomic stability to be anything other than a mode of suffering.
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It is easier to argue that something nobody believes in actually exists than it is to argue that something everybody believes in is unreal.
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It’s a very new, not to mention vulgar, idea that the spectator’s experience should be identical to, or even have anything to do with, the artist’s.
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Power is all. Another falsification I do not tell how I gain or maintain it. I only record the ginger stroll through the vaguely fetid garden of its rewards.
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As a prose writer, I work with language and those who work with language turn to poetry for renewal.
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I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.
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Clouds out of control decoct anticipation. What use can any of us have for two moons? The miracle of order has run out and I am left in an unmiraculous city where anything may happen.
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Historically, I guess that's how science fiction works: you start by using aliens to think the unthinkable and then, eventually, another writer, having grown a little more comfortable with the earlier notion, brings it into the human.
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In myths things always turn into their opposites as one version supersedes the next.
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I think of myself as a very lazy writer, though other people see it differently.
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Discourse says, 'You are.' Rhetoric preserves the freedom to say, 'I am not.
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'You spin in the sky, the world spins under you, and you step from land to land, while we . . .' She turned her head right, left, and her black hair curled and uncurled on the shoulder of her coat. 'We have our dull, circled lives, bound in gravity, worshiping you!'
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The rich are always enamored of the ancient.
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The reason for privacy is not so that people will not know you go to the bathroom. It's to allow certain things to go on that you don't want other people to know about, when all is said and done. But the things I don't want other people to know about are not my sex life.
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You meet a new person, you go with him and suddenly you get a whole new city...you go down new streets, you see houses you never saw before, pass places you didn't even know were there. Everything changes.
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It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
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