Quote

I just always knew that I lived in two worlds. There was the world of my house and community, but to make my way in that white world I had to modify the way I spoke and acted. I had to sometimes not make direct eye contact.

Samuel L. Jackson

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Samuel L. Jackson
Age: 76
Born: 1948
Born: December 21
Actor
Character Actor
Film Actor
Film Producer
Television Actor
Television Producer
Voice Actor
Washington
District of Columbia
Samuel Leroy Jackson
Sam Jackson
Sam L Jackson
Sam L. Jackson
Sam Leroy Jackson
White
Spoke
House
Worlds
Two
Contact
Sometimes
Direct
Way
Lived
Make
Knew
Modify
Always
Community
Acted
World
Eye
Spokes

More quotes by Samuel L. Jackson

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I love coming in for quick pops. You come in. You score. You leave. You're on the golf course. It's great. You don't carry any story.
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I walk the streets, take the train, it's real simple. Some actors create their own mythology: 'Oh, I'm so famous I can't go places, because I created this mythology that I'm so famous I can't go places.
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My ass may be dumb, but I ain't no dumbass.
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I actually think I have an audience member's sensibility about going to the movies.
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I tend to play characters that I can infuse with certain kinds of humour. Even the baddest guy can be funny in his own particular way. I want the audience to engage with the character on some deeper level so that they leave the cinema still thinking about him.
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I don't understand how people live without creating.
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When people want me to sign an autograph in a restaurant, and I'm eating. I don't even have to say no, I just kind of stop and look at them ... Oh, okay. I'll ... I'll come back.
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Girl, don't make me put my foot in your ass.
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I never thought I'd be working with Sam [L.Jackson] .That's about as good as it gets.
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I understand the rural south because I spent a lot of time in it when I was a kid and my grandfather’s brothers were farmers and I spent time on the farm when I was a kid with them walking through the fields and working and hanging out.
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I guess the worst day I have had was when I had to stand up in rehab in front of my wife and daughter and say 'Hi, my name is Sam and I am an addict.'
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We [me and Eugene Levy] both try to play the reality of a moment and don't try to impose humor on something where it doesn't belong. Contrary to what other people seem to think sometimes.
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I see myself as a storyteller. So, when I read something, I see the story, and I see it on screen, in my head, in a certain way. I always want to see it and see me in it.
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I used to like watching Helen Mirren's early films, because she was always naked. It's titillating.
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The best advice that was given to me was that I had to be 10 times smarter, braver and more polite to be equal. So I did.
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It was fun to be in a scene again with [my wife LaTanya Richardson]. We used to do plays together all the time. We hadn't really worked together since Losing Isaiah [1995]. That was kind of early on in both of our cinematic careers. Things have changed a little bit since then.
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I don't run around shooting people. Much. I only shoot two people a year. Maybe.
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I'm a good son, a good father, a good husband - I've been married to the same woman for 30 years. I'm a good friend. I finished college, I have my education, I donate money anonymously. So when people criticize the kind of characters that I play on screen, I go, 'You know, that's part of history.'
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Any changes that I made to my line, I asked if I could make them, which I do in every movie. So far everybody's been gracious enough to say yes. The only improvising I do is in the movies I do with Chris Guest, which is what we do.
Samuel L. Jackson
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When I saw the script [of The Man], I saw the character and knew I could do the character. It's a relationship movie, which is also what I love to do. That's what attracts me to projects.
Samuel L. Jackson