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I want very much to be back in the caul, on my back in the dark forever.

Samuel Beckett

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Samuel Beckett
Age: 83 †
Born: 1906
Born: April 13
Died: 1989
Died: December 22
Artist
Author
Cricketer
Film Director
French Resistance Fighter
Intellectual
Linguist
Novelist
Playwright
Poet
Screenwriter
Teacher
Dublin city
Samuel Barclay Beckett
Andrew Belis
Sam Beckett
Sa-miao-erh Pei-kʻo-tʻe
Samuel Beḳeṭ
Darkness
Forever
Dark
Back
Much
Birth

More quotes by Samuel Beckett

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Art has nothing to do with clarity, does not dabble in the clear and does not make clear
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I am such a good man, at bottom, such a good man, how is it that nobody ever noticed it?
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in reality we are one and all from the unthinkable first to the no less unthinkable last glued together in a vast imbrication of flesh without breach or fissure
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No, I regret nothing, all I regret is having been born, dying is such a long tiresome business I always found.
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Vladimir: Did I ever leave you? Estragon: You let me go.
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It was the only way to progress, to stop.
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The Tuesday scowls, the Wednesday growls, the Thursday curses, the Friday howls, the Saturday snores, the Sunday yawns, the Monday morns, the Monday morns. The whacks, the moans, the cracks, the groans, the welts, the squeaks, the belts, the shrieks, the pricks, the prayers, the kicks, the tears, the skelps, and the yelps.
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And all these questions I ask myself. It is not in a spirit of curiosity. I cannot be silent. About myself I need know nothing. Here all is clear. No, all is not clear. But the discourse must go on. So one invents obscurities. Rhetoric.
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The only thing you must never speak of is your happiness.
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Estragon: I'm like that. Either I forget right away or I never forget.
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The fact is, it seems, that the most you can hope is to be a little less, in the end, the creature you were in the beginning, and the middle.
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Dublin university contains the cream of Ireland: Rich and thick.
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I don't know why I told this story. I could just as well have told another. Perhaps some other time I'll be able to tell another. Living souls, you will see how alike they are.
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We wait. We are bored. (He throws up his hand.) No, don't protest, we are bored to death, there's no denying it. Good. A diversion comes along and what do we do? We let it go to waste. Come, let's get to work! (He advances towards the heap, stops in his stride.) In an instant all will vanish and we'll be alone more, in the midst of nothingness!
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We should have thought of it when the world was young, in the nineties.
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Don't look for meaning in the words. Listen to the silences.
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No painting is more replete than Mondrian's.
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Women are all the bloody sameyou can't love for five minutes without wanting it abolished in brats and house bloody wifery.
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Yesterday is not a milestone that has been passed, but a daystone on the beaten track of the years, and irremediably part of us, within us, heavy and dangerous. We are not merely more weary because of yesterday, we are other, no longer what we were before the calamity of yesterday.
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What is this love that more than all the cursed deadly or any other of its great movers so moves the soul and soul what is this soul that more than by any of its great movers is by love so moved?
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