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Ive been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me.

Sam Shepard

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Sam Shepard
Age: 73 †
Born: 1943
Born: November 5
Died: 2017
Died: July 27
Actor
Author
Autobiographer
Dramaturge
Film Actor
Film Director
Percussionist
Playwright
Screenwriter
Stage Actor
Theatrical Director
Fort Sheridan
Illinois
Samuel Shepard Rogers III
Samuel Sam Shepard Rogers III
Theater
Nobody
Play
Writing
Messes
Spoiled
Plays
Mess
Exactly

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Keep away from fantasy. Shake off the image.
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I didn't go out of my way to get into this movie stuff. I think of myself as a writer.
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It's one of the great tragedies of our contemporary life in America, that families fall apart. Almost everybody has that in common.
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My dad's side of the family ... they're a real bizarre bunch, going back to the original colonies. That side's got a real tough strain of alcoholism. It goes back generations and generations, so that you can't remember when there was a sober grandfather.
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Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
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I think without writing I would feel completely useless.
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The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
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It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
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There's gonna be a general lack of toast in the neighborhood this morning.
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When you hit a wall – of your own imagined limitations – just kick it in.
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Hollywood is geared toward teenage idiocy.
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I've heard writers talk about discovering a voice, but for me that wasn't a problem. There were so many voices that I didn't know where to start.
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People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
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I had a definite sense of somehow being a passenger in an evil vehicle crusing through Paradise.
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In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
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When you see the way things deteriorate before your very eyes. Everything running down hill. It's kind of silly to even think about youth.
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The words I overuse are all adverbs.
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The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described. It's a thing of discovering. That's when writing is really working. You're on the trail of something and you don't quite know what it is.
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I feel very lucky and privileged to be a writer. I feel lucky in the sense that I can branch out into prose and tell different kinds of stories and stuff. But being a writer is so great because youre literally not dependent on anybody.
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