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Ive been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me.

Sam Shepard

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Sam Shepard
Age: 73 †
Born: 1943
Born: November 5
Died: 2017
Died: July 27
Actor
Author
Autobiographer
Dramaturge
Film Actor
Film Director
Percussionist
Playwright
Screenwriter
Stage Actor
Theatrical Director
Fort Sheridan
Illinois
Samuel Shepard Rogers III
Samuel Sam Shepard Rogers III
Writing
Messes
Spoiled
Plays
Mess
Exactly
Theater
Nobody
Play

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Words are tools of imagery in motion.
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My dad's side of the family ... they're a real bizarre bunch, going back to the original colonies. That side's got a real tough strain of alcoholism. It goes back generations and generations, so that you can't remember when there was a sober grandfather.
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I don't get offered leading parts. I suppose I've become a kind of character actor or sideman. I think it had to do with probably in the '90s, I refused so many leading roles that they gave up on me, or I just became unpopular, or I became old. All those reasons.
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Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
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People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
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I'll develop my own image. I'm an original man. A one and only. I just need some help.
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I like cars. I like travel. I like the idea of people breaking down and I'm the only one who can help them get on the road again. It would be like being a magician. Just open up the hood and cast your magic spell.
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It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
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There's gonna be a general lack of toast in the neighborhood this morning.
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All that stuff about my father and my childhood is interesting up to a certain point, but I kind of capsized with the family drama a long time ago. Now I want to get away from that. Not that I won't return to it, but a certain element has been exhausted, and it feels like why regurgitate all this stuff?
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
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She refers to her past as the time before she was blown away.
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When you hit a wall – of your own imagined limitations – just kick it in.
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Love is the only disease that makes you feel better.
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When I first started, I didn't really know how to structure a play. I could write dialogue, but I just sort of failed beyond that, and kind of went wherever I wanted to go.
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I was shot in the wrist when I was a kid. Deliberately.
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When you die it's the end of your life.
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When you're looking for someone, you're looking for some aspect of yourself, even if you don't know it ... What we're searching for is what we lack.
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The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
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