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Sides are being divided now. It's very obvious. So if you're on the other side of the fence, you're suddenly anti-American. It's breeding fear of being on the wrong side.

Sam Shepard

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Sam Shepard
Age: 73 †
Born: 1943
Born: November 5
Died: 2017
Died: July 27
Actor
Author
Autobiographer
Dramaturge
Film Actor
Film Director
Percussionist
Playwright
Screenwriter
Stage Actor
Theatrical Director
Fort Sheridan
Illinois
Samuel Shepard Rogers III
Samuel Sam Shepard Rogers III
Obvious
Side
Sides
Wrong
Breeding
American
Fence
Fear
Divided
Anti
Suddenly

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The words I overuse are all adverbs.
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Ive been so spoiled in the theater, writing plays where I can just do exactly what I want and nobody messes with me.
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When you consider all the writers who never even had a machine. Who would have given an eyeball for a good typewriter. Any typewriter. All the ones who wrote on a matchbook covers. Paper bags. Toilet paper. Who had their writing destroyed by their jailers. Who persisted beyond all odds.
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Hollywood is geared toward teenage idiocy.
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When you die it's the end of your life.
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I've heard writers talk about discovering a voice, but for me that wasn't a problem. There were so many voices that I didn't know where to start.
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I like cars. I like travel. I like the idea of people breaking down and I'm the only one who can help them get on the road again. It would be like being a magician. Just open up the hood and cast your magic spell.
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There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
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People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
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I'm a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you're getting out. I'm also earning enough to keep my horses, buying some time to write.
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It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.
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Film acting is really the trick of doing moments. You rarely do a take that lasts more than 20 seconds. You really earn your spurs acting onstage. I needed to do that for myself. I would hate to say at the end of everything that I never did a stage play.
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The funny thing about having all this so-called success is that behind it is a certain horrible emptiness.
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When you see the way things deteriorate before your very eyes. Everything running down hill. It's kind of silly to even think about youth.
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When you're looking for someone, you're looking for some aspect of yourself, even if you don't know it ... What we're searching for is what we lack.
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I didn't go out of my way to get into this movie stuff. I think of myself as a writer.
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In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
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All that stuff about my father and my childhood is interesting up to a certain point, but I kind of capsized with the family drama a long time ago. Now I want to get away from that. Not that I won't return to it, but a certain element has been exhausted, and it feels like why regurgitate all this stuff?
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