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When I left university I was working for a documentary film company for six or seven years to the great relief of my father whose greatest waking fear was that I would become an actor.

Sam Neill

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Sam Neill
Age: 77
Born: 1947
Born: September 14
Actor
Film Actor
Film Director
Television Actor
Winegrower
Nigel John Dermot Neill
Left
Whose
Film
Actor
Documentary
Become
Greatest
Documentaries
Great
Company
Waking
Years
Working
Relief
Would
Actors
Six
Fear
University
Father
Seven

More quotes by Sam Neill

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I hate to say it, but there seems to have been some sort of dumbing down as far as movies go.
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I've worked all my life to shed myself of any character.
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I think you need brains to do any Shakespeare with any authority. I could do Shakespeare, but not with any authority.
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Magic realism - somebody used that phrase the other day that is familiar with South American literature. That rang a bell. It resonates with me.
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Big budgets don't necessarily give you big films.
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Dexter' I'm very fond of. I got addicted to that.
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People turn into fools when they see a movie star and do weird things.
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Actors are easy to like. They are generally sociable, thoughtful people.
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I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.
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This was only Taika Watiti fourth film [Hunt for the Wilderpeople], but I think he brings a very original way of looking at stuff and I think if you look at Boy, for instance, which is a beautiful film, that was his second feature, and it's heartbreakingly sad, but it's also simultaneously very funny. There are not many people who can do that.
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Failure is never quite so frightening as regret.
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Wines are like women in that it's often the imperfections that fascinate.
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You never really know who you're going to be acting with, but that doesn't really matter. 99% of the actors I've worked with, and they number in the thousands, I've liked.
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I can tell you where I was when Kennedy was shot - which was in the common room at school. I heard about it on the old valve radio. At the time of Armstrong's landing, I was at university rehearsing a play.
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Try and fit in in a New Zealand playground with an Armagh accent - it doesn't work.
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As much as possible, I try to encourage people to use stunt men because that is really their job.
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In the case of Wilderpeople, I walked on the first day with some apprehension actually because it doesn't come anywhere close to anything I've really played before, this part.
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Where we're going, we won't need eyes to see.
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