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Directing Skyfall was one of the best experiences of my professional life, but I have theatre and other commitments, including productions of Charlie And The Chocolate Factory and King Lear, that need my complete focus over the next year and beyond.

Sam Mendes

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Sam Mendes
Age: 59
Born: 1965
Born: August 1
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Theatrical Director
Samuel Alexander Sam Mendes
Samuel Alexander Mendes
Sir Samuel Alexander Mendes
Life
Beyond
Professional
Lear
Focus
Theatre
Commitments
Year
Experiences
Factory
Next
King
Charlie
Best
Complete
Directing
Need
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Factories
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Including
Chocolate
Years
Kings
Productions

More quotes by Sam Mendes

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I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
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Every Bond is different and every generation needs a different Bond and it's been able to move with the times.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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Shooting action is very, very meticulous, it's increments, tiny little pieces.
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You're in the lap of the gods. If people go, they go, and if they don't.
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I like throwing snowballs at small children.
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Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.
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I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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Confidence is essential, but ego is not.
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The movies that influenced me were movies that told their stories through pictures more than words.
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Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
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All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.
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The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
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The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
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The characters are trapped within the lifestyle. It's about what goes on before the movie starts.
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As a first-time director in America, I feel I've been very fortunate.
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If you lived through the shooting of Jaws, you can live through anything.
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I don't think of it as a competition - which might surprise you, given the way movies are reported constantly.
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You freeze with the number of opportunities given to you and just decide to do nothing at all.
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