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Shooting action is very, very meticulous, it's increments, tiny little pieces.

Sam Mendes

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Sam Mendes
Age: 59
Born: 1965
Born: August 1
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Theatrical Director
Samuel Alexander Sam Mendes
Samuel Alexander Mendes
Sir Samuel Alexander Mendes
Pieces
Action
Littles
Little
Increments
Meticulous
Shooting
Tiny

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The movies that influenced me were movies that told their stories through pictures more than words.
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I don't think of it as a competition - which might surprise you, given the way movies are reported constantly.
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Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
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If you lived through the shooting of Jaws, you can live through anything.
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It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
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Directing Skyfall was one of the best experiences of my professional life, but I have theatre and other commitments, including productions of Charlie And The Chocolate Factory and King Lear, that need my complete focus over the next year and beyond.
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The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
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There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
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As a first-time director in America, I feel I've been very fortunate.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
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All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.
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I like throwing snowballs at small children.
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I've made movies that cost less than one car chase. But that's part of the pleasure of doing it, pushing yourself in new directions.
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Confidence is essential, but ego is not.
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You've got to work. You've got to want an audience to sit forward in their chairs sometimes, rather than sit back and be bombarded with images.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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You think about taking audiences on a journey.
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