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You freeze with the number of opportunities given to you and just decide to do nothing at all.

Sam Mendes

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Sam Mendes
Age: 59
Born: 1965
Born: August 1
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Theatrical Director
Samuel Alexander Sam Mendes
Samuel Alexander Mendes
Sir Samuel Alexander Mendes
Decide
Number
Numbers
Opportunity
Given
Nothing
Freeze
Opportunities

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I like throwing snowballs at small children.
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If you lived through the shooting of Jaws, you can live through anything.
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All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.
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Shooting action is very, very meticulous, it's increments, tiny little pieces.
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I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.
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Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
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There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
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As a first-time director in America, I feel I've been very fortunate.
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It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
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I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
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Confidence is essential, but ego is not.
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The characters are trapped within the lifestyle. It's about what goes on before the movie starts.
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The moment you have kids, you are prey to judgment, but you also become a judge. You find yourself going, Can you believe what she did with such-and-such? at school.
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You think about taking audiences on a journey.
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Every Bond is different and every generation needs a different Bond and it's been able to move with the times.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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I don't think of it as a competition - which might surprise you, given the way movies are reported constantly.
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The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
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You're in the lap of the gods. If people go, they go, and if they don't.
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