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Confidence is essential, but ego is not.

Sam Mendes

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Sam Mendes
Age: 59
Born: 1965
Born: August 1
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Theatrical Director
Samuel Alexander Sam Mendes
Samuel Alexander Mendes
Sir Samuel Alexander Mendes
Ego
Essential
Essentials
Confidence

More quotes by Sam Mendes

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I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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The moment you have kids, you are prey to judgment, but you also become a judge. You find yourself going, Can you believe what she did with such-and-such? at school.
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As a first-time director in America, I feel I've been very fortunate.
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I've made movies that cost less than one car chase. But that's part of the pleasure of doing it, pushing yourself in new directions.
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If you lived through the shooting of Jaws, you can live through anything.
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Every Bond is different and every generation needs a different Bond and it's been able to move with the times.
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The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
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I don't think of it as a competition - which might surprise you, given the way movies are reported constantly.
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Directing Skyfall was one of the best experiences of my professional life, but I have theatre and other commitments, including productions of Charlie And The Chocolate Factory and King Lear, that need my complete focus over the next year and beyond.
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The movies that influenced me were movies that told their stories through pictures more than words.
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Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
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The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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You think about taking audiences on a journey.
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Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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You're in the lap of the gods. If people go, they go, and if they don't.
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Shooting action is very, very meticulous, it's increments, tiny little pieces.
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There's one thing better than having a great actor, and that's having a great actor who's never done this kind of role before and is hungry to do it. They're testing themselves every day. They want to get out of their trailer and get to work.
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I like throwing snowballs at small children.
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