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Thank God I don't live in Los Angeles. I think if you're there the whole time it just gets out of proportion and you lose touch completely with reality.

Sam Mendes

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Sam Mendes
Age: 59
Born: 1965
Born: August 1
Film Director
Film Producer
Screenwriter
Television Director
Television Producer
Theatrical Director
Samuel Alexander Sam Mendes
Samuel Alexander Mendes
Sir Samuel Alexander Mendes
Live
Proportion
Whole
Thank
Time
Touch
Think
Completely
Thinking
Gets
Lose
Loses
Reality
Angeles

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Kevin and Annette... I wanted them to do it together. They clearly wanted to work with each other.
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All I know is that I operate by going out to each of them and trying to learn the territory in which they operate. My language to each of them has to suit their brain.
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If you lived through the shooting of Jaws, you can live through anything.
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I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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The moment you have kids, you are prey to judgment, but you also become a judge. You find yourself going, Can you believe what she did with such-and-such? at school.
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The characters are trapped within the lifestyle. It's about what goes on before the movie starts.
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I've made movies that cost less than one car chase. But that's part of the pleasure of doing it, pushing yourself in new directions.
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I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.
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I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
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You freeze with the number of opportunities given to you and just decide to do nothing at all.
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Shooting action is very, very meticulous, it's increments, tiny little pieces.
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It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
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The importance of rehearsal is maybe you want to talk about how the scene's going to be designed, how it's going to be staged, all of those things. It's all about preparation, and deciding what mutually you don't want to do, rather than necessarily what you do.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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Confidence is essential, but ego is not.
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I like throwing snowballs at small children.
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I don't think of it as a competition - which might surprise you, given the way movies are reported constantly.
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The movies that influenced me were movies that told their stories through pictures more than words.
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Every Bond is different and every generation needs a different Bond and it's been able to move with the times.
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You think about taking audiences on a journey.
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