Of All the Gin Joints is one part cinematic history, one part old Hollywood weirdness, and one part handy basic bar guide, with a dash of romance and more than a few wry twists. Bailey and Hemingway prove themselves very entertaining cultural mixologists.

I felt as though I were snorting cocaine, or rappelling down a cliffside, or cliffsurfing off a cliff of pure cocaine.

This country was built on the backs of dudes who drank on buses. What we do honors them.

You could touch for a couple of bucks. The window of the booth went up and you stuck out the bills. They might tell you not to pinch, but I was a stroke type anyway. Some guys, I guess they want to leave a mark. Me, I just like the feel.

Shudder, in fact, is not quite the word for the feeling. Feeling is not quite the word for the feeling. How's bathing at knifepoint in the phlegm of the dead? Is that a feeling?

People gave names to things so they could tell stories about them, goddam fairy tales about children who got out alive.

You think you know yourself, the world. You believe you've got a bead on everybody else's bullshit, but what about your own?

I'd become one of those mistakes you sometimes find in an office, a not unpleasant but mostly unproductive presence bobbing along on the energy tides of others, a walking reminder of somebody's error in judgement.

I'm a citizen of the republic of empathy.

The bullshit never ends. That’s the main thing to remember. It never ends.

Yes, we could solve for why, but we could also eat another slice of coconut cake.

When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.

I knew I was in the vicinity of a serious lesson, if not about how to live life, then at least how to put some poetry into your craven retreat from it.

Dept. of Speculation is gorgeous, funny, a profound and profoundly moving work of art. Jenny Offill is a master of form and feeling, and she gets life on the page in new, startling ways.

There is nothing quite like the controlled burn of Eugene Marten’s prose. Waste is an exhilarating and unnerving piece of fiction.

Wesley Stace has always been the only genuinely gifted fiction writer who also happens to be a rock star, but Wonderkid is the book he was born to write. And if you prefer your novels brazen, poignant and hilarious, as I do, you were born to read it. Like a great show, this will stay with you long after the last cymbal crash and power strum.

Stuff me in a tutu and let's screen experimental videos all day.

No emotion or insight is too small to inflict on the world. Let it all fly. Don't let it eat you from the inside.