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I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
Sam Abell
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Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
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More quotes by Sam Abell
In almost every photograph I have ever made, there is something I would do to complete it. I take that to be the spirit hole or the deliberate mistake that's in a Navajo rug to not be godlike, but to be human.
Sam Abell
[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
Sam Abell
There isn't an aspect of book creation I don't enjoy, and there has always been a book in my life to dream about or work on.
Sam Abell
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
Sam Abell
I was giving a lecture and I said, that's enough about The Photographic Life, meaning my biography, now let's talk about the life of a photograph. And in that one instant I got the title for a potential next book.
Sam Abell
The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach.
Sam Abell
It matters little how much equipment we use it matters much that we be masters of all we do use.
Sam Abell
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
Sam Abell
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.
Sam Abell
There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
Sam Abell
For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me.
Sam Abell
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
Sam Abell
Photographs that transcend but do not deny their literal situation appeal to me.
Sam Abell
My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.
Sam Abell
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
Sam Abell
That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
Sam Abell
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop photographer came while I was at the Geographic in the late 70's, and has continued consistently since then.
Sam Abell
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become that.
Sam Abell
It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that time.
Sam Abell
The unusual wins out over the usual.
Sam Abell