Quote

First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.

Sam Abell

Change background

T
T
T

Change font

TAGS & TOPICS

Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Facts
Ended
Neutral
Wanted
Appropriate
Invitations
Firsts
Photograph
Presenting
First
Picture
Richard
Thing
Tried
Pair
Appropriated
Work
Created
Prince
Authorship
Think
Open
Photographs
Owns
Thinking
Fact
Pairs
Invitation

More quotes by Sam Abell

Image
For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me.
Sam Abell
Image
I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
Sam Abell
Image
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
Sam Abell
Image
There isn't an aspect of book creation I don't enjoy, and there has always been a book in my life to dream about or work on.
Sam Abell
Image
When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
Sam Abell
Image
The class that I teach is called The Life of a Photograph. It takes up the question, of the billion photographs that were taken today, how many will have a life, and why? So the new reality has made the question more pertinent, not less pertinent.
Sam Abell
Image
It matters little how much equipment we use it matters much that we be masters of all we do use.
Sam Abell
Image
Aboriginal Australia is a tough place to work, rough and tough.
Sam Abell
Image
Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.
Sam Abell
Image
Though Geographic didn't publish that photo in the story that it was done for, The Life of Charlie Russell, a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
Sam Abell
Image
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.
Sam Abell
Image
My parents, grandmother and brother were teachers. My mother taught Latin and French and was the school librarian. My father taught geography and a popular class called Family Living, the precursor to Sociology, which he eventually taught. My grandmother was a beloved one-room school teacher at Knob School, near Sonora in Larue County, Ky.
Sam Abell
Image
That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
Sam Abell
Image
My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that.
Sam Abell
Image
The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach.
Sam Abell
Image
In almost every photograph I have ever made, there is something I would do to complete it. I take that to be the spirit hole or the deliberate mistake that's in a Navajo rug to not be godlike, but to be human.
Sam Abell
Image
I was giving a lecture and I said, that's enough about The Photographic Life, meaning my biography, now let's talk about the life of a photograph. And in that one instant I got the title for a potential next book.
Sam Abell
Image
A very big part of the life of a photograph is the afterlife.
Sam Abell
Image
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
Sam Abell
Image
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
Sam Abell