Quote

In almost every photograph I have ever made, there is something I would do to complete it. I take that to be the spirit hole or the deliberate mistake that's in a Navajo rug to not be godlike, but to be human.

Sam Abell

Change background

T
T
T

Change font

TAGS & TOPICS

Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Take
Photograph
Made
Complete
Every
Mistake
Navajo
Something
Almost
Godlike
Would
Spirit
Deliberate
Ever
Hole
Human
Holes
Humans
Photographer

More quotes by Sam Abell

Image
Typically I see it with photographers who go to a place like India or Nepal, and everything's so colorful and exotic and they think, therefore, a picture's been taken.
Sam Abell
Image
I'm interested in smokers standing on ledges, and big box stores, the rise of the suburbs, and the hollowing out of small towns. Self-storage. Things that didn't exist 50 years ago. Our common culture. What we have agreed is OK to live with.
Sam Abell
Image
The unusual wins out over the usual.
Sam Abell
Image
When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
Sam Abell
Image
For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
Sam Abell
Image
The neatest part of this book I'm working on - to me - are the pictures that show the process... Because photographers... think things through and... it isn't luck, and it isn't random and it isn't accidental. It isn't.
Sam Abell
Image
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
Sam Abell
Image
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
Sam Abell
Image
That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
Sam Abell
Image
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.
Sam Abell
Image
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
Sam Abell
Image
[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
Sam Abell
Image
My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.
Sam Abell
Image
I had a book come out several years ago, when there were no blogs. This is a mark to me about how the environment has changed.
Sam Abell
Image
I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
Sam Abell
Image
My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that.
Sam Abell
Image
Photographs that transcend but do not deny their literal situation appeal to me.
Sam Abell
Image
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
Sam Abell
Image
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
Sam Abell
Image
It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that time.
Sam Abell