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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.

Sam Abell

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Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Small
Cellars
Dark
Basement
Basements
Father
Hobby
Night
Hobbies
Kind
Fruit
Photography
Makeshift
Taught
Cellar

More quotes by Sam Abell

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That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
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I had a book come out several years ago, when there were no blogs. This is a mark to me about how the environment has changed.
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It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that time.
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For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me.
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There's a great quote about Virginia Woolf, she had the same spiritual stake in her diaries as she had in her writing.
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My parents, grandmother and brother were teachers. My mother taught Latin and French and was the school librarian. My father taught geography and a popular class called Family Living, the precursor to Sociology, which he eventually taught. My grandmother was a beloved one-room school teacher at Knob School, near Sonora in Larue County, Ky.
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The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach.
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The neatest part of this book I'm working on - to me - are the pictures that show the process... Because photographers... think things through and... it isn't luck, and it isn't random and it isn't accidental. It isn't.
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I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
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Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.
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Photographs that transcend but do not deny their literal situation appeal to me.
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When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
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A very big part of the life of a photograph is the afterlife.
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I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
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[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
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It matters little how much equipment we use it matters much that we be masters of all we do use.
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For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
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The unusual wins out over the usual.
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When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
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How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
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