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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
Sam Abell
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Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Small
Cellars
Dark
Basement
Father
Basements
Night
Hobby
Kind
Hobbies
Fruit
Photography
Makeshift
Taught
Cellar
More quotes by Sam Abell
My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.
Sam Abell
I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
Sam Abell
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.
Sam Abell
Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay.
Sam Abell
The thing with my workshops is, photography is a thoughtful process. In an atmosphere of fast photography, and generally thoughtless, quick, automatic photography, I think that there is an interest in the slowed down, thoughtful approach.
Sam Abell
That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
Sam Abell
Photographs that transcend but do not deny their literal situation appeal to me.
Sam Abell
For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
Sam Abell
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become that.
Sam Abell
It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that time.
Sam Abell
The unusual wins out over the usual.
Sam Abell
My parents, grandmother and brother were teachers. My mother taught Latin and French and was the school librarian. My father taught geography and a popular class called Family Living, the precursor to Sociology, which he eventually taught. My grandmother was a beloved one-room school teacher at Knob School, near Sonora in Larue County, Ky.
Sam Abell
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.
Sam Abell
There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
Sam Abell
[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
Sam Abell
A very big part of the life of a photograph is the afterlife.
Sam Abell
My best work is often almost unconscious and occurs ahead of my ability to understand it.
Sam Abell
I was giving a lecture and I said, that's enough about The Photographic Life, meaning my biography, now let's talk about the life of a photograph. And in that one instant I got the title for a potential next book.
Sam Abell
I'm interested in smokers standing on ledges, and big box stores, the rise of the suburbs, and the hollowing out of small towns. Self-storage. Things that didn't exist 50 years ago. Our common culture. What we have agreed is OK to live with.
Sam Abell
In almost every photograph I have ever made, there is something I would do to complete it. I take that to be the spirit hole or the deliberate mistake that's in a Navajo rug to not be godlike, but to be human.
Sam Abell