Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
I wanted life to be episodic. I wanted to be a magazine photographer and I was willing to do what it took to become that.
Sam Abell
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Become
Wanted
Life
Episodic
Magazine
Magazines
Photographer
Took
Willing
More quotes by Sam Abell
My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
Sam Abell
Teaching has never been far from my life. It's the most natural thing I do. Apparently, as I said, I cannot not do it.
Sam Abell
I had a book come out several years ago, when there were no blogs. This is a mark to me about how the environment has changed.
Sam Abell
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.
Sam Abell
A very big part of the life of a photograph is the afterlife.
Sam Abell
Typically I see it with photographers who go to a place like India or Nepal, and everything's so colorful and exotic and they think, therefore, a picture's been taken.
Sam Abell
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
Sam Abell
As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
Sam Abell
The class that I teach is called The Life of a Photograph. It takes up the question, of the billion photographs that were taken today, how many will have a life, and why? So the new reality has made the question more pertinent, not less pertinent.
Sam Abell
Though Geographic didn't publish that photo in the story that it was done for, The Life of Charlie Russell, a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
Sam Abell
I was giving a lecture and I said, that's enough about The Photographic Life, meaning my biography, now let's talk about the life of a photograph. And in that one instant I got the title for a potential next book.
Sam Abell
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.
Sam Abell
It matters little how much equipment we use it matters much that we be masters of all we do use.
Sam Abell
My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
Sam Abell
[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
Sam Abell
I think of myself as a writer who photographs. Images, for me, can be considered poems, short stories or essays. And I've always thought the best place for my photographs was inside books of my own creation.
Sam Abell
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
Sam Abell
I'm interested in smokers standing on ledges, and big box stores, the rise of the suburbs, and the hollowing out of small towns. Self-storage. Things that didn't exist 50 years ago. Our common culture. What we have agreed is OK to live with.
Sam Abell
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
Sam Abell
For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
Sam Abell