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It matters little how much equipment we use it matters much that we be masters of all we do use.
Sam Abell
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Sam Abell
Age: 79
Born: 1945
Born: February 19
Photographer
Sylvania
Ohio
Photography
Masters
Use
Littles
Little
Matter
Equipment
Much
Photographer
Matters
More quotes by Sam Abell
I think that it's workshops, honestly, that have kept me keen about photography, and about my photography. My career as a workshop photographer came while I was at the Geographic in the late 70's, and has continued consistently since then.
Sam Abell
Teaching has never been far from my life. It's the most natural thing I do. Apparently, as I said, I cannot not do it.
Sam Abell
Typically I see it with photographers who go to a place like India or Nepal, and everything's so colorful and exotic and they think, therefore, a picture's been taken.
Sam Abell
First of all, I appropriate photographs.In presenting the Richard Prince photograph I tried to be as neutral as I could be. I put down the fact of it. I wanted it to be the same thing he wanted it to be, an open ended invitation to think about authorship, and who owns a created work. So I pair it with my appropriated picture.
Sam Abell
There's a great quote about Virginia Woolf, she had the same spiritual stake in her diaries as she had in her writing.
Sam Abell
It's more difficult now, to be a Geographic photographer, than it was when I came along. And it wasn't easy at that time.
Sam Abell
For example, in my dorm, at the University of Kentucky, I had the only camera. I don't think anyone came to college with a camera, other than me.
Sam Abell
There are grander and more sublime landscapes - to me. There are more compelling cultures. But what appeals to me about central Montana is that the combination of landscape and lifestyle is the most compelling I've seen on this earth. Small mountain ranges and open prairie, and different weather, different light, all within a 360-degree view.
Sam Abell
When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
Sam Abell
My least favorite photographer to have would be myself. Someone who wanted a career at National Geographic. Because it's almost mathematically impossible to achieve that.
Sam Abell
A mad, keen photographer needs to get out into the world and work and make mistakes.
Sam Abell
For sheer majestic geography and sublime scale, nothing beats Alaska and the Yukon. For culture, Japan. And for all-around affection, Australia.
Sam Abell
That's who comes to my workshops. I jokingly tell my students that the class could be called Your photographs: Better.
Sam Abell
My dad had been an ardent amateur photographer, and he taught me to compose a photograph from the back to the front, and then populate the picture.
Sam Abell
In almost every photograph I have ever made, there is something I would do to complete it. I take that to be the spirit hole or the deliberate mistake that's in a Navajo rug to not be godlike, but to be human.
Sam Abell
When assignments were over, photography continued. One of the primary reasons it did was that I wanted and needed to have fresh work. Also, it's very stimulating to be around non-professional photographers. They're the ones with the purest flame burning about their photography. I appreciate that.
Sam Abell
A very big part of the life of a photograph is the afterlife.
Sam Abell
[ My time and our common culture] it's what I'm photographing, and I'm very involved with that.
Sam Abell
What I'm interested in is modern American history. I'm taken with the changes that have occurred in America in my lifetime.
Sam Abell
I was a consultant for Kodak back in the late 80's. There were engineers there who told me that in the future, most photographs would be taken on telephones. They weren't able to do anything with that. They were engineers, not management.
Sam Abell