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We wrote verses that condemned us, with no hope of pardon, to the most bitter solitude.

Salvatore Quasimodo

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Salvatore Quasimodo
Age: 66 †
Born: 1901
Born: August 20
Died: 1968
Died: June 14
Author
Critic
Journalist
Linguist
Literary Critic
Poet
Screenwriter
Translator
University Teacher
Writer
Bitterness
Bitter
Solitude
Wrote
Hope
Condemned
Pardon
Verses

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Even a polemic has some justification if one considers that my own first poetic experiments began during a dictatorship and mark the origin of the Hermetic movement.
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War, I have always said, forces men to change their standards, regardless of whether their country has won or lost.
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Thus, the poet's word is beginning to strike forcefully upon the hearts of all men, while absolute men of letters think that they alone live in the real world.
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Europeans know the importance of the Resistance it has been the shining example of the modern conscience.
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Poetry is the revelation of a feeling that the poet believes to be interior and personal but which the reader recognizes as his own.
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The poet does not fear death, not because he believes in the fantasy of heroes, but because death constantly visits his thoughts and is thus an image of a serene dialogue.
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In opposition to this detachment, he finds an image of man which contains within itself man's dreams, man's illness, man's redemption from the misery of poverty - poverty which can no longer be for him a sign of the acceptance of life.
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From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
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An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.
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The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order it is not formulated as a prophetic scripture.
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At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds.
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The writer of stories or of novels settles on men and imitates them he exhausts the possibilities of his characters.
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The antagonism between the poet and the politician has generally been evident in all cultures.
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