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That's the trouble with you sad-city types: a place has to be miserable and dull as ditchwater before you believe it's real.

Salman Rushdie

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Salman Rushdie
Age: 77
Born: 1947
Born: June 19
Actor
Essayist
Novelist
Screenwriter
Writer
Bombay
Rushdie
Joseph Anton
Sir Ahmed Salman Rushdie
Cities
Trouble
Place
Real
Types
Believe
Dull
Miserable
City
Type

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He had picked up languages the way most sailors pick up diseases languages were his gonorrhoea, his syphilis, his scurvy, his ague, his plague.
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Religion is responsible for a lot of the problems in the history of the world and it's not something that I practice or recommend, but to each his own.
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I'm not a big fan of there being voiceovers in movies. I really prefer it when the film tells it story.
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I would argue that religion comes from a desire to get to the questions of, 'Where do we come from?' and 'How shall we live?' And I would say I don't need religion to answer those questions.
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Home is the place where you feel happy.
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For every snake, there is a ladder for every ladder,a snake
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I'm a novelist. Fortunately I don't have to rule the world.
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Our lives, our stories, flowed into one another's, were no longer our own, individual, discrete.
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Free societies are societies in motion, and with motion comes friction.
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Everything has shape, if you look for it. There is no escape from form.
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If you give in to the threat of violence, if you give in to bullying, what you know is that there will be more bullying. There will not be less bullying. If you appease the bully, you make sure that he will bully you some more. Not less. It doesn't solve the problem. It makes the problem worse.
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People must be protected from prejudice against their person. But people cannot be protected from prejudice against their ideas - because otherwise we're all done.
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Two things form the bedrock of any open society - freedom of expression and rule of law. If you don't have those things, you don't have a free country.
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I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
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England in a way is lucky. It's an island, so the frontiers are given by the sea.
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Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'
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Sometimes when you finish a book, you don't know quite what you've got.
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For me, what I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
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As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
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The only privilege literature deserves - and this privilege it requires in order to exist - is the privilege of being in the arena of discourse, the place where the struggle of our languages can be acted out.
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