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I think anyone who knows me at all knows that I have been a movie addict all my life. I grew up in a city obsessed by cinema and where there are cinemas on every street corner.

Salman Rushdie

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Salman Rushdie
Age: 77
Born: 1947
Born: June 19
Actor
Essayist
Novelist
Screenwriter
Writer
Bombay
Rushdie
Joseph Anton
Sir Ahmed Salman Rushdie
Grew
Addict
Cities
Corner
Movie
Cinema
Anyone
Corners
Every
Obsessed
Think
Street
Thinking
City
Life
Streets
Cinemas

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Sometimes, people trying to commit suicide manage it in a manner that leaves them breathless with astonishment.
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I don't think people cry reading 'Midnight's Children,' but a lot of people seem to cry watching the movie.
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In this world without quiet corners, there can be no easy escapes from history, from hullabaloo, from terrible, unquiet fuss.
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What is freedom of expression? Without the freedom to offend, it ceases to exist. Without the freedom to challenge, even to satirize all orthodoxies, it ceases to exist. Language and the imagination cannot be imprisoned, or art will die, and with it, a little of what makes us human.
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Like everybody else, I've had relationships in which I was passionately in love but was completely miserable all the time and didn't trust the person I was in love with one inch.
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Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.
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People are always telling me that they've seen people reading my books on the subway, or the beach, or whenever.
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The history of life was not the bumbling progress - the very English, middle-class progress - Victorian thought had wanted it to be, but violent, a thing of dramatic, cumulative transformations: in the old formulation, more revolution than evolution.
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When thought becomes excessively painful, action is the finest remedy.
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I don't know what to say about literary critics. I think it's probably best to say nothing.
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Rock n' roll was a kid when I was a kid.
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Because I've always felt, whether the fatwa or whatever, the writer's great weapon is the truth and integrity of his voice. And as long as what you're saying is what you truly, honestly believe to be the case, then whatever the consequences, that's fine. That's an honorable position.
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Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
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I don't think I've ever quite grown out of it, actually. There was a point where I could recite some of those Elvish verses - which I've mercifully forgotten. But I can still, if really pushed, recite the text of the inside of the ruling ring in the language of Mordor.
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What had been (at the beginning) no bigger than a full stop had expanded into a comma, a word, a sentence, a paragraph, a chapter now it was bursting into more complex developments, becoming, one might say, a book - perhaps an encylopaedia - even a whole language.
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The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
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The only privilege literature deserves - and this privilege it requires in order to exist - is the privilege of being in the arena of discourse, the place where the struggle of our languages can be acted out.
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Very often, people who actually pick up a book of mine for the first time are kind of surprised. And I get these letters saying, well, who knew that you were good, you know?
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Meaning is a shaky edifice we build out of scraps, dogmas, childhood injuries, newspaper articles, chance remarks, old fillms, small victories, people hated, people loved perhaps it is because our sense of what is the case is constructed from such inadequate materials that we defend it so fiercely, even to death.
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It may be that the books that were best liked in your lifetime are not the ones that are best liked 100 years later.
Salman Rushdie