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You can adhere to your faith, but that faith needs to march in line with the rest of the world and needs to find a way of expressing itself in the modern world.

Salman Rushdie

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Salman Rushdie
Age: 77
Born: 1947
Born: June 19
Actor
Essayist
Novelist
Screenwriter
Writer
Bombay
Rushdie
Joseph Anton
Sir Ahmed Salman Rushdie
Rest
Modern
Lines
Faith
Find
Adhere
Needs
Expressing
Way
March
World
Line

More quotes by Salman Rushdie

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In the movies, the writer is just the servant, the employee.
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Life is lived forward but is judged in reverse.
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I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
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Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today.
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When you write, you write out of your best self. Everything else drops away.
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Before I came to England, my favorite authors were P. G. Wodehouse and Agatha Christie. I used to devour both.
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Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
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[My work] is a love song to our mongrel selves.
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I have no problem with people's religious beliefs. I just don't happen to have any.
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If I were dead, then nobody in England would have to fuss about the cost of my security and whether or not I merited such special treatment for so long.
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At the height of the British Empire very few English novels were written that dealt with British power. It's extraordinary that at the moment in which England was the global superpower the subject of British power appeared not to interest most writers.
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For every snake, there is a ladder for every ladder,a snake
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Ideas are interesting to me, and religions are a place where ideas have been very subtly embodied for thousands of years. All literature started as sacred literature.
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I will come back to India - so deal with it.
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We who have grown up on a diet of honour and shame can still grasp what must seem unthinkable to people living in the aftermath of the death of God and of tragedy: that men will sacrifice their dearest love on the implacable altars of their pride.
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It doesn't matter whether characters are real people or not if they're not vivid on the page, then the reader doesn't care about them that much, and, if the reader doesn't care about them that much, then they don't care what happens to them.
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Unfortunately, the problem of the free speech argument is that you have to defend people you can't stand.
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I don't think I've ever quite grown out of it, actually. There was a point where I could recite some of those Elvish verses - which I've mercifully forgotten. But I can still, if really pushed, recite the text of the inside of the ruling ring in the language of Mordor.
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Khattam-Shud,' he said slowly, 'is the Arch-Enemy of all Stories, even of language itself. He is the Prince of Silence and the Foe of Speech. And because everything ends, because dreams end, stories end, life ends, at the finish of everything we use his name. It's finished, we tell one another, it's over. Khattam-Shud: The End.
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Because I've always felt, whether the fatwa or whatever, the writer's great weapon is the truth and integrity of his voice. And as long as what you're saying is what you truly, honestly believe to be the case, then whatever the consequences, that's fine. That's an honorable position.
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