Quote

Between shame and shamelessness lies the axis upon which we turn meteorological conditions at both these poles are of the most extreme, ferocious type. Shamelessness, shame: the roots of violence.

Salman Rushdie

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Salman Rushdie
Age: 77
Born: 1947
Born: June 19
Actor
Essayist
Novelist
Screenwriter
Writer
Bombay
Rushdie
Joseph Anton
Sir Ahmed Salman Rushdie
Type
Ferocious
Conditions
Poles
Violence
Axes
Turn
Extreme
Lying
Extremes
Turns
Shame
Meteorological
Upon
Roots
Shamelessness
Lies
Axis

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Free speech is the whole thing, the whole ball game. Free speech is life itself.
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You can't have modern states based on ideas which have been out of date for a thousand years.
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There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage - because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun.
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I always thought storytelling was like juggling [...] You keep a lot of different tales in the air, and juggle them up and down, and if you're good you don't drop any.
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You never know the answers to the questions of life until you are asked.
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A people that has remained convinced of its greatness and invulnerability, that has chosen to believe such a myth in the face of all the evidence, is a people in the grip of a kind of sleep, or madness.
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They lived in a great city, a metropolis of many narratives that converged briefly and then separated for ever, discovering their different dooms in that crowd of stories through which all of us, following our own destinies, had to push and shove to find our way through, or out.
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I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
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If you actually want to change your world, there is a better way of doing it than blowing yourself up.
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To understand just one life you have to swallow the world ... do you wonder, then, that I was a heavy child?
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As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.
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Live on, survive, for the earth gives forth wonders. It may swallow your heart, but the wonders keep on coming. You stand before them bareheaded, shriven. What is expected of you is attention.
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One of the strange things about violent and authoritarian regimes is they don't like the glare of negative publicity.
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If a birth is the fall-out from the explosion caused by the union of two unstable elements, then perhaps a half-life is all we can expect.
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Travel was pointless. It removed you from the place in which you had a meaning, and to which you gave meaning in return by dedicating your life to it, and it spirited you away into fairylands where you were, and looked, frankly absurd.
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In this world without quiet corners, there can be no easy escapes from history, from hullabaloo, from terrible, unquiet fuss.
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Writers have been in terrible situations and have yet managed to produce extraordinary work.
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I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
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Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms.
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If my child had prejudice in his head, I'd be ashamed. I would see it as my failure as a parent.
Salman Rushdie