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In the real world, immeasurable hurt is caused by terrorists based in Pakistan who attack countries like India.
Salman Rushdie
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Salman Rushdie
Age: 77
Born: 1947
Born: June 19
Actor
Essayist
Novelist
Screenwriter
Writer
Bombay
Rushdie
Joseph Anton
Sir Ahmed Salman Rushdie
Country
Terrorists
Real
Caused
Like
Attack
World
Terrorist
Countries
India
Based
Immeasurable
Hurt
Pakistan
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Everybody loves 'The Wire,' and I think it's okay, but in the end it's just a police series.
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India is my kid sister.
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I don't dictate to anyone what to believe and what not to. And I don't want that to be dictated to me either.
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I don't think people cry reading 'Midnight's Children,' but a lot of people seem to cry watching the movie.
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I grew up falling in love with kind of story, amazing, wonder tale of the East, which if you're a child growing up in India is all around you.And I think one of the gifts it gave me as a writer was this early knowledge that stories are not true.
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Well, we're still in the middle of it. And it doesn't show any sign of going away. And these attacks that were - that seemed so odd at the time, with Satanic Verses, because we didn't have any context for this. You know, where did that come from? It seemed to come out of nowhere.
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Certainly, the Hollywood cinema, there's almost nothing of interest coming out of there.
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But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must for ever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?
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Free-form games in which the player can make choices about what the game is going to be, become a kind of gaming equivalent of the narrative possibility.
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India, the new myth--a collective fiction in which anything was possible, a fable rivalled only by the two other mighty fantasies: money and God.
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When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.
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For me, what I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
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Our lives, our stories, flowed into one another's, were no longer our own, individual, discrete.
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The worst, most insidious effect of censorship is that, in the end, it can deaden the imagination of the people. Where there is no debate, it is hard to go on remembering, every day, that there is a suppressed side to every argument.
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He had picked up languages the way most sailors pick up diseases languages were his gonorrhoea, his syphilis, his scurvy, his ague, his plague.
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Censorship is the thing that stops you doing what you want to do, and what writers want to talk about is what they do, not what stops them doing it.
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We have come to think of taking offence as a fundamental right. We value very little more highly than our rage, which gives us, in our opinion, the moral high ground. From there we can shoot down at our enemies and inflict heavy fatalities.
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The liveliness of literature lies in its exceptionality, in being the individual, idiosyncratic vision of one human being, in which, to our delight and great surprise, we may find our own vision reflected.
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I'm a world expert on superhero comics. I think maybe only Michael Chabon knows more than me.
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When you throw everything up in the air anything becomes possible.
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