Quote

In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.

Saffron Burrows

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Saffron Burrows
Age: 52
Born: 1972
Born: October 22
Actor
Actress
Film Actor
Model
Stage Actor
Television Actor
Writer
London
England
Saffron Domini Burrows
Process
Entirely
Indulgent
Film
Obviously
Cumulative
Become
Effect
Smashing
Every
Effects
Improv
Crockery
Make
Move
Knock
Sequentially
Never
Actors
Competing
Scripted
Moving
Orthodox
Verbally
Making
Shoot
Improvised

More quotes by Saffron Burrows

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Location work has its charms, and can seem glamorous on the outside, but I think living at home and having the stability of a home life once you've finished work is very underrated!
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I'll always take Scrabble and chess if I'm going filming. But I do have the Scrabble dictionary, which can be infuriating for other players.
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I like being in love, but loving is what is crucial to me. Loving is the reason to live.
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If I was going to make a broad generalisation, I'd say that I prefer the company of women. People know now that I live with Mike Figgis, but I prefer not to talk about it. On one level, privacy is important, but on another level I have no desire to deny certain things.
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For a woman to say she has had a dalliance with another woman is quite trendy these days. I do not like trendiness. Life isn't about dalliances - it's about individuals. You come across people in your life that you find very interesting. It's not about something flighty.
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My parents were political, so it's definitely in my bones. Wherever I am, I always seem to get involved with politics. I think, once it's in your bloodstream, it's always there. I love it.
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What am I doing in this silly showbiz life? I do wonder that sometimes.
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You can't ignore the system and the power you acquire as an actor if you're in films that are successful.
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I grew up in a strongly socialist family. While I was at school, I worked in party politics and with organizations like the Anti-Nazi League. Everywhere I saw it, I fought prejudice.
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When I was a child I wanted to be a petrol pump attendant. I suppose you have all sorts of thoughts as a child and at the time I figured that it was a way to avoid doing anything like going on stage.
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I don't always want a big meal after work - just some crisps and wine!
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It helps being from somewhere other than Hollywood, not having grown up with that sense of film-making. I really wasn't exposed to that as a young woman.
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I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.
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I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
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I'm not very good with stills. I get all twitchy.
Saffron Burrows