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Whatever emotions you're going through, you somehow seek out the people that are going through similar emotions or that maybe have something you need.

Ryan McGinley

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Ryan McGinley
Age: 47
Born: 1977
Born: October 17
Photographer
Ramsey
New Jersey
Going
Emotions
Something
Somehow
People
Seek
Emotion
Maybe
Whatever
Need
Needs
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Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth its from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
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When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
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The cool part about New York is that you can do that. You can talk to all the people you admire.
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I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
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All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
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It's weird being a photographer because you really have to divorce yourself from the image.
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I put all of my time into art because I couldn't go back to Jersey and work at Starbucks.
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I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.
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From 8 to 19, I was skateboarding every single day. That was my life. I worked at a skate shop. I watched skate videos.
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I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
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I didn't have to be friends with people who were into pop music.
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Everyone started to have a camera. That's when I started to travel outside of New York and go into nature.
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I went through a pretty big David Bowie period when I was younger, and that has affected me profoundly in my life and my work.
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The cool thing for me about moving to New York was that I got to create a new family.
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I'm interested in reaching the masses with my work. It's one of my goals.
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In a lot of ways I look at these old photos, and I don't know if I would have been able to communicate with these people on this level if I didn't have a camera. I think I would still be so shy.
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I was growing up in the suburbs I was one of eight kids. So I did have a community when I was younger, but all of my brothers and sisters were older.
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I'm not going to hide behind anything.
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I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.
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I'm always interested in an atmosphere where dreams and reality mingle on equal terms.
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