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A lot of people, even my parents, thought, Art school, I don't know. We'll support you but the success rate for artists is really slim.

Ryan McGinley

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Ryan McGinley
Age: 47
Born: 1977
Born: October 17
Photographer
Ramsey
New Jersey
Artist
Art
Slim
Thought
Rate
School
Artists
Even
Parents
Really
Parent
People
Support
Success

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It's weird being a photographer because you really have to divorce yourself from the image.
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A lot of my close friends have committed suicide or died of heroin overdoses.
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I didn't have to be friends with people who were into pop music.
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I'm not going to hide behind anything.
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I think that's an important lesson for young people who want to be artists: You have to find someone who believes in you and who will help you find that time where you don't have to think about a job but just making work. If I didn't have those people in my life, I wouldn't be in the position I'm in.
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All I do is make photos. It's my life.
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When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
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Everyone started to have a camera. That's when I started to travel outside of New York and go into nature.
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Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
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I think a lot about control nowadays, and I really want to let go and just be more in the moment.
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I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.
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I went through a pretty big David Bowie period when I was younger, and that has affected me profoundly in my life and my work.
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Everyone I'm photographing, I feel like I'm remaking a family, in a way. My brothers and sisters are my heroes. So many of my models resemble them.
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I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
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I put all of my time into art because I couldn't go back to Jersey and work at Starbucks.
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All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
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Whatever emotions you're going through, you somehow seek out the people that are going through similar emotions or that maybe have something you need.
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I'm always interested in an atmosphere where dreams and reality mingle on equal terms.
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I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
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I was growing up in the suburbs I was one of eight kids. So I did have a community when I was younger, but all of my brothers and sisters were older.
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