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I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.

Ryan McGinley

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Ryan McGinley
Age: 47
Born: 1977
Born: October 17
Photographer
Ramsey
New Jersey
Worked
Knew
Portfolio
Art
Portfolios
School
Ticket
Hard
Suburbs
Really
Scholarship
Tickets
Develop

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I'm always interested in an atmosphere where dreams and reality mingle on equal terms.
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I spent all of my money on film. I remember I would do these set-design jobs or transcribe or just anything to get, like, a $100 check and go immediately to Adorama and buy expired film.
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I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
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I went through a pretty big David Bowie period when I was younger, and that has affected me profoundly in my life and my work.
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All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
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You find the people that you need to find. There's this gravitational pull.
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I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
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I'm not going to hide behind anything.
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Just being friends with people now for over 15 years, you realize what we all came out of. What we came out of was the intense feeling of growing up. It sounds kind of cliché, but it's true.
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There was no luxury. I never got on an airplane until I was 18. We drove everywhere. My dad was like, Waste not, want not.
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I didn't have to be friends with people who were into pop music.
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Whatever emotions you're going through, you somehow seek out the people that are going through similar emotions or that maybe have something you need.
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It's weird being a photographer because you really have to divorce yourself from the image.
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I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
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I think a lot about control nowadays, and I really want to let go and just be more in the moment.
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I was growing up in the suburbs I was one of eight kids. So I did have a community when I was younger, but all of my brothers and sisters were older.
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From 8 to 19, I was skateboarding every single day. That was my life. I worked at a skate shop. I watched skate videos.
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I'm going to put every aspect of myself out into the world and try to convey it through photography.
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Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
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The cool thing for me about moving to New York was that I got to create a new family.
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