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All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.

Ryan McGinley

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Ryan McGinley
Age: 47
Born: 1977
Born: October 17
Photographer
Ramsey
New Jersey
Really
Brother
Adventures
People
Bigs
Retreat
Easy
Sisters
Around
Brothers
Part
Adventure
Everything
Based
Many
Watches
Work
Watch
Recreate

More quotes by Ryan McGinley

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I think a lot about control nowadays, and I really want to let go and just be more in the moment.
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The cool part about New York is that you can do that. You can talk to all the people you admire.
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I didn't have to be friends with people who were into pop music.
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I'm not going to hide behind anything.
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I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
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A lot of my close friends have committed suicide or died of heroin overdoses.
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I was growing up in the suburbs I was one of eight kids. So I did have a community when I was younger, but all of my brothers and sisters were older.
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I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
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When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
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I knew my ticket out of the suburbs was art school, so I worked really hard to develop my portfolio and get a scholarship.
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All I do is make photos. It's my life.
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I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.
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I'm interested in reaching the masses with my work. It's one of my goals.
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I spent all of my money on film. I remember I would do these set-design jobs or transcribe or just anything to get, like, a $100 check and go immediately to Adorama and buy expired film.
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From 8 to 19, I was skateboarding every single day. That was my life. I worked at a skate shop. I watched skate videos.
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I don't want to be an artist that gets stuck doing one thing. I don't want to be an artist who people look back at and say, 'His early work was really great.
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In a lot of ways I look at these old photos, and I don't know if I would have been able to communicate with these people on this level if I didn't have a camera. I think I would still be so shy.
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Everyone I'm photographing, I feel like I'm remaking a family, in a way. My brothers and sisters are my heroes. So many of my models resemble them.
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I'm going to put every aspect of myself out into the world and try to convey it through photography.
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Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth its from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
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