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For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go Ooh, it's an actual LP. How cool is that? That's very sacred to me. You can't take that back, you know?

Ryan Adams

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Ryan Adams
Age: 50
Born: 1974
Born: November 5
Guitarist
Musician
Singer
Singer-Songwriter
Songwriter
Jacksonville
North Carolina
David Ryan Adams
Take
Sacred
Like
Worked
Record
Hold
Records
Vinyl
Actually
Valid
Art
Actual
Back
Cool

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I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.
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The good thing about playing the guitar: You can take on different kinds of music. I'm always doing something different from the last thing I did because I have the shortest attention span on earth.
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I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.
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The process of making music is more interesting to me than the end result. If I was a cook, I'd be more interested in cooking food than eating food.
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To conceive music, to execute it in front of others, to make it so others can do it...it can be pretty humbling, and kind of scary. So yeah, I don't really feel in competition with anybody. Not because I feel elitist, but because I have enough self-competition. I'm always struggling.
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Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
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I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.
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There definitely isn't a structure anymore to how I get ideas. A lot of times I'll just write down a phrase, or I'll have an idea that's attached to just a few chords. Other times, it's work.
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I think I've been incredibly raw my whole career. A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.'
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I'm a pretty bad troubadour. I'm more of a music fan who got away with making records.
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Rock records. It's the main source of inspiration for people - fans, or musicians, or both - to act out in ways that they wouldn't normally act out. Especially rock critics. Ultimately, records don't really hurt anybody, and neither do reviews.
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When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.
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Some people want to go forever, I just want to burn off hard and bright.
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A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.
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