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No second chances in the land of a thousand dances, the valley of ten million insanities.

Ry Cooder

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Ry Cooder
Age: 77
Born: 1947
Born: March 15
Banjoist
Composer
Guitarist
Mandolinist
Musician
Musicologist
Record Producer
Singer
LA
California
Ryland Peter Cooder
Insanity
Ten
Million
Second
Thousand
Dances
Millions
Valley
Land
Valleys
Chance
Chances

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Needless to say, you've got to have someone who can speak for you.
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You have to be around people you trust otherwise you can't do anything - you're afraid, you're paranoid, and you can't do any work.
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Once you feel that you've learned some skills and you know how to make records, the next thing is, Do we ever get to make one that people will really like? Because then we'll have something to do.
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You should try to do something if you think you can see your way clear.
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These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
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Musicians understand each other through means other that speaking.
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Something has to happen between you and the public, some interface that lets the public in on what you're doing.
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Some things I like to do better than other things, but I've got to say that in the end, the thing that makes it the most interesting for me is who you're with, you know? It's people that make the difference in just about any field, right?
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Los Angeles is not Mexico City, but we have many fine nightclubs and restaurants here. It is enough. One must not aim too high.
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In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence
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Bad music can make you weak.
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You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
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The environment is rarely put on tape, or if it is, it's so abstract that most people never realize it. They just don't know what it means. But if you can show it to them, then that's what becomes the main instrument.
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I have to think that somewhere on some little island in the Pacific, there's someone's who's great, but I'm probably never going to hear him.
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Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough.
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All the money in the world is spent on feeling good.
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