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In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence

Ry Cooder

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Ry Cooder
Age: 77
Born: 1947
Born: March 15
Banjoist
Composer
Guitarist
Mandolinist
Musician
Musicologist
Record Producer
Singer
LA
California
Ryland Peter Cooder
Earth
Played
Instrument
Music
Guitar
Fell
Intelligence
Loud
Stringed
Places
Weird
Oddball
Objects
Traditional
Oddballs
Grace
Object
Alien
Almost
Six
Electric
Taken
Instruments
Aliens

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I have to think that somewhere on some little island in the Pacific, there's someone's who's great, but I'm probably never going to hear him.
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Los Angeles is not Mexico City, but we have many fine nightclubs and restaurants here. It is enough. One must not aim too high.
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Some things I like to do better than other things, but I've got to say that in the end, the thing that makes it the most interesting for me is who you're with, you know? It's people that make the difference in just about any field, right?
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No second chances in the land of a thousand dances, the valley of ten million insanities.
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Once you feel that you've learned some skills and you know how to make records, the next thing is, Do we ever get to make one that people will really like? Because then we'll have something to do.
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Something has to happen between you and the public, some interface that lets the public in on what you're doing.
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You have to be around people you trust otherwise you can't do anything - you're afraid, you're paranoid, and you can't do any work.
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The environment is rarely put on tape, or if it is, it's so abstract that most people never realize it. They just don't know what it means. But if you can show it to them, then that's what becomes the main instrument.
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Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough.
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You should try to do something if you think you can see your way clear.
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You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
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Bad music can make you weak.
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All the money in the world is spent on feeling good.
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Needless to say, you've got to have someone who can speak for you.
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These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
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Musicians understand each other through means other that speaking.
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