Quote

In oddball places, the electric guitar has been taken as an almost alien object - this weird, six-stringed instrument that fell down to earth and was then played loud but with traditional grace and intelligence

Ry Cooder

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Ry Cooder
Age: 77
Born: 1947
Born: March 15
Banjoist
Composer
Guitarist
Mandolinist
Musician
Musicologist
Record Producer
Singer
LA
California
Ryland Peter Cooder
Taken
Instruments
Aliens
Earth
Played
Instrument
Music
Guitar
Fell
Intelligence
Loud
Stringed
Places
Weird
Oddball
Objects
Traditional
Oddballs
Grace
Object
Alien
Almost
Six
Electric

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I have to think that somewhere on some little island in the Pacific, there's someone's who's great, but I'm probably never going to hear him.
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Bad music can make you weak.
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No second chances in the land of a thousand dances, the valley of ten million insanities.
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Musicians understand each other through means other that speaking.
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You have to be around people you trust otherwise you can't do anything - you're afraid, you're paranoid, and you can't do any work.
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Los Angeles is not Mexico City, but we have many fine nightclubs and restaurants here. It is enough. One must not aim too high.
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You should try to do something if you think you can see your way clear.
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Needless to say, you've got to have someone who can speak for you.
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Some things I like to do better than other things, but I've got to say that in the end, the thing that makes it the most interesting for me is who you're with, you know? It's people that make the difference in just about any field, right?
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Beautiful tunes are all very good and fine, and great musicians are always great, but that alone isn't enough.
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You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
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These musicians, such as these Cubans in Havana, are a part of a scene that did produce great music and great musicians. They came from this tradition, so it's a good place to look. It's like prospecting: You gotta know where to look.
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All the money in the world is spent on feeling good.
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Once you feel that you've learned some skills and you know how to make records, the next thing is, Do we ever get to make one that people will really like? Because then we'll have something to do.
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The environment is rarely put on tape, or if it is, it's so abstract that most people never realize it. They just don't know what it means. But if you can show it to them, then that's what becomes the main instrument.
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Something has to happen between you and the public, some interface that lets the public in on what you're doing.
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