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The best thing about writing programs is that it rationalized the apprenticeship of a writer.

Russell Banks

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Russell Banks
Age: 84
Born: 1940
Born: March 28
Novelist
Screenwriter
Writer
Newton
Massachusetts
Writing
Thing
Rationalized
Apprenticeship
Programs
Program
Writer
Best

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Loyalty is weird, it kicks in when you dont expect it and the people who deserve loyalty least seem to get it the most.
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And there are people who want to be writers because they love to write. And they care.
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For almost anyone who chooses to be a writer, since so very few writers are able to learn a living from their work that is equivalent to the living earned by the average dentist or accountant.
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I am not a ventriloquist.
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The issue of torture, connected to American soldiers, is not somewhere most people want to linger. We may not want to confront this issue so much in the U.S. because of how we want to think about our veterans. There's the sense that we want to think of our veterans as - if they're damaged, damaged by something glamorous, like a firefight.
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Chimpanzees are endangered. Severely.
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Luck can't last a lifetime unless you die young.
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Choose your agent as carefully as you would choose your accountant or lawyer. Or dentist.
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The United States particularly abandoned Liberia after the end of the Cold War.
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Through writing, through that process, they realize that they become more intelligent, and more honest and more imaginative than they can be in any other part of their life.
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We are the planet, fully as much as water, earth, fire and air are the planet, and if the planet survives, it will only be through heroism. Not occasional heroism, a remarkable instance of it here and there, but constant heroism, systematic heroism, heroism as governing principle.
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I much prefer working with kids whose life could be completely upended by a reading of a book over a weekend. You give them a book to read - they go home and come back a changed person. And that is so much more interesting and exciting.
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Motivations are too tangled and complex.
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A couple of years I taught in graduate programs at NYU and Columbia, in the early eighties.
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Boys like it when you talk to them as if they were grown men—at least he always did when he was a kid—because they pretend that’s what they are anyhow, grown-up men, and they do it for their entire lives.
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I'm seventy-six now. I'm at a stage in my life where I feel a lot of affection and regard for women, and I felt the need to make this clear in some way. I don't know how they'll feel when they read it, but I feel okay about it.
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Although I still occasionally paint and draw, my life has now been shaped by my writing.
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Nobody does anything for one reason.
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Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.
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One of the things I have tried to do with this book and with all of them really is avoid that simple, easy, reductionist view of motivation and to show we do things for a complex net of reasons, a real braid of reasons.
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