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My mother had a lot of parties when I was a child. There'd always be a moment when she would place me on the upright piano and have me sing Somewhere Over the Rainbow.
Rufus Wainwright
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Rufus Wainwright
Age: 51
Born: 1973
Born: July 22
Composer
Musician
Pianist
Singer
Singer-Songwriter
Rhinebeck (village)
New York
Rufus McGarrigle Wainwright
Always
Sing
Would
Child
Party
Moment
Upright
Mother
Rainbow
Moments
Parties
Place
Piano
Children
Somewhere
More quotes by Rufus Wainwright
Well, my great lesson with that was I went to the same production twice - once completely high and once completely sober - and both times were equally wonderful.
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I was in the forest jumping around daffodils while everyone was high on heroin.
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My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.
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I knew I was gay when I was around 13. There wasn't the internet, there weren't support groups, AIDS was everywhere. I mean, it was really dark.
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Arguably, the relationship between Liza Minnelli and Judy Garland is one of the great mother-daughter sagas of all time. Certainly, for certain people, and a lot of them, Liza is the bigger star. Liza is the more kind of viable legend, shall we say. Then there's the other camp, where Judy is the one.
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The moment something happens to one you love, it's twenty times more intense. You experience pain and enlightenment on a much vaster scale.
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I am regarded as a usurper, as an imposter and dilettante, because I do technically come from the wrong side of the tracks in musical terms.
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Some people go to Berlin to get more cutting edge I went and started wearing lederhosen and going to visit baroque palaces.
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I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.
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Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.
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I have managed to eke out a good and substantial existence. I'm not shoveling gold bricks or anything, but I do very, very well.
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I think I've done a pretty fantastic job, but of course I want to sell millions of records.
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I will take my coffee black / never snack / hang with the wolves who are sheepish.
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I'll be honest, I worry sometimes about what I've done. I have tied my whole person to my art and, whatever it takes to get that hook, I will go there and do it.
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I'm a big fan of the Pre-Raphaelites. Millais, Edward Burne-Jones, and I realised recently that my music is Pre-Raphaelite in a certain way, in that it reinvents an older era and romanticises it, puts it in this gilded frame.
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My cheeks explode when I smile. Thats why I have to look so nonplussed.
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I am always writing if you want to survive in this business, you need to keep working, keep creating and never stop the output.
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It seems like the older I get, the more unreal the world becomes.
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Certainly in terms of my life - anybody's life - you go through death, childbirth and marriage, glory and defeat, and so on.
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What I love about my daughter is that she is going to definitely allow me and force me to change my life and slow down and make it more about the real things in the world.
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