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Well, my great lesson with that was I went to the same production twice - once completely high and once completely sober - and both times were equally wonderful.

Rufus Wainwright

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Rufus Wainwright
Age: 51
Born: 1973
Born: July 22
Composer
Musician
Pianist
Singer
Singer-Songwriter
Rhinebeck (village)
New York
Rufus McGarrigle Wainwright
Went
Sober
Wonderful
Twice
High
Lesson
Times
Equally
Wells
Production
Well
Productions
Great
Lessons
Completely

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I have a three-year-old daughter, which makes me more environmentally conscious. For me, it's about the future.
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I don't know if it will be my big comeback, but I think it is a statement - that I am a self-sustaining, vibrant, long-term artist, and I'm not going away! And if you don't give me credit, then the musical gods will!
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I like to sing to Verdi, I like singing to Sibelius, and Mahler maybe.
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Certainly in terms of my life - anybody's life - you go through death, childbirth and marriage, glory and defeat, and so on.
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I'm not a terrible smoker, actually. My major addiction, which is horrible, is straight boys.
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I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.
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I like to think of myself as a combination of Sid Vicious and Virgil Thompson
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The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
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These are just the rules and regulations Of the birds, and the bees The earth, and the trees, Not to mention the gods, not to mention the gods.
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Why be in music, why write songs, if you can't use them to explore life or an idealized vision of life?
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I bemoan the fact that all my famous friends have places in St. Bart's and I have to go to Montauk.
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You know the question: 'How do you get to Carnegie Hall?' Answer: 'Practise?' Well, in my case, I got there by not practising. I didn't finish my music degree. And when I got into the pop world, I decided not to conform because I figured that the point of being an artist was that you shouldn't be like anyone else.
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Growing up, for years and years I had no idea what the plots of operas were, and that's part of what fascinated me - I could make them up and learn bits and pieces of what was going on over time. There's something about it being always a step away that makes it more fun to chase.
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I've paid the price I definitely have a reputation that precedes me, and there is a camp that plots my demise. But then again... it's funner that way.
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In the present world, this technological, psychotic, politicised, nonsensical world, you have to believe that the good guys are going to win! That evil will be banished somehow!
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But I don't even think you hear me at all Under your medieval ceiling behind your biblical wall
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Everything I do, I feel is genius. Whether it is or it isn't.
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When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.
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I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.
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I definitely have a Luddite's approach to what's going on. I find that as I get older, I get stupider. For me, the iPhone is harder than reading Faust. I've been hanging out a bit with Lou Reed, and he's the complete opposite. He's into technology and is kind of like a toddler, compared to me, who's like an old 19th-century widow or something.
Rufus Wainwright