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I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.

Rufus Wainwright

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Rufus Wainwright
Age: 51
Born: 1973
Born: July 22
Composer
Musician
Pianist
Singer
Singer-Songwriter
Rhinebeck (village)
New York
Rufus McGarrigle Wainwright
Opera
Possibly
Towards
Greatest
Quite
House
Earth
Gravitated
Always
Royal

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These are just the rules and regulations Of the birds, and the bees The earth, and the trees, Not to mention the gods, not to mention the gods.
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I knew I was gay when I was around 13. There wasn't the internet, there weren't support groups, AIDS was everywhere. I mean, it was really dark.
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Why be in music, why write songs, if you can't use them to explore life or an idealized vision of life?
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In the music business, to survive for so long, you have to be able to cut off from your emotions sometimes. And being a father, you're faced with that situation. I know that my father was, with me. I understand why he had to be distant, because to rip yourself away, time after time, is almost more devastating.
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The more hedonistic you were, the better...I very much subscribed to that as a young artist.
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The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
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I think my imagination and my passions are still firing away, but it's really the body that starts to make up the rules. It's not a major problem it's just when you get a little older you realize how much your body thanks you when you are good to it.
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The operas I listen to aren't in English, and I want to listen to my opera after I'm done with it. I want to have the desire to play it on the stereo. To me, the language is part of the mystery.
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When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.
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I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.
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I think everybody identified at a pretty young age that I was fairly entranced with myself. And that I had to be tempered.
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Opera needs to be a total escape from real life. To relate to what we're going through today is fine and dandy, but it's really about being transported and completely swept away by a romantic notion.
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All humans realize they are loved when witnessing the dawn early morning is the triumph of good over evil. Absolved by light we decide to go on.
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You had to be an over-the-top, demanding, dramatic figure in order to progress as a woman in Europe over the last few hundred years. Now people say, You're being such a prima donna, meaning you're being hard to deal with or crazy. It's a bit sexist.
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All these poses of classical torture ruined my mind like a snake in the orchard. I did go from wanting to be someone, now I'm drunk and wearing flip-flops on Fifth Avenue.
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I was in the forest jumping around daffodils while everyone was high on heroin.
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I'm very much a romantic. I'm highly attuned to an older sensibility, which I believe is alive and well. We're not that far ahead of the Romantic Age in society.
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For me, the iPhone is harder than reading Faust.
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I like to try new things.
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