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The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind.

Rudolf Arnheim

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Rudolf Arnheim
Age: 102 †
Born: 1904
Born: July 15
Died: 2007
Died: June 9
Art Historian
Author
Film Critic
Film Scholar
Pedagogue
Psychologist
University Teacher
Writer
Berlin
Germany
Rudolph Arnheim
Young
Effective
Wells
Patterns
Attribution
Well
Forms
Clarification
Mind
Organization
Grounds
Training
Suitable
Objects
Integrated
Education
Visuals
Form
Visual

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A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.
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Every act is a visual judgement.
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Order is a prerequisite of survival therefore the impulse to produce orderly arrangements is inbred by evolution.
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Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination.
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A system is in equilibrium when the forces constituting it are arranged in such a way as to compensate each other, like the two weights pulling at the arms of a pair of scales.
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The least touchable object in the world is the eye.
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The rehabilitation of order as a universal principle, however, suggested at the same time that orderliness by itself is not sufficient to account for the nature of organized systems in general or for those created by man in particular.
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The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, sees things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.
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Order is a necessary condition for making a structure function. A physical mechanism, be it a team of laborers, the body of an animal, or a machine, can work only if it is in physical order.
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In a land of immigrants, one was not an alien but simply the latest arrival.
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The ambition of instantaneous photography... was that of preserving the spontaneity of action and avoiding any indication that the presence of the picture taker had a modifying influence on what was going on.
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The foreign accent was a promise, and indeed, all over the country, European imports added spice to the sciences, the arts, and other areas. What one had to give was not considered inferior to what one received.
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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
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As one gets older, it happens that in the morning one fails to remember the airplane trip to be taken in a few hours or the lecture scheduled for the afternoon.
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It is good to live in a country where all are immigrants ... the newcomer is simply the latest arrival.
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When a system is considered in two different states, the difference in volume or in any other property, between the two states, depends solely upon those states themselves and not upon the manner in which the system may pass from one state to the other.
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Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
Rudolf Arnheim
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A revolution must aim at the destruction of the given order and will succeed only by asserting an order of its own.
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Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
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Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. Suspension of disbelief has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
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