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Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.

Rudolf Arnheim

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Rudolf Arnheim
Age: 102 †
Born: 1904
Born: July 15
Died: 2007
Died: June 9
Art Historian
Author
Film Critic
Film Scholar
Pedagogue
Psychologist
University Teacher
Writer
Berlin
Germany
Rudolph Arnheim
Good
Painter
Smell
Although
Sculptors
Theory
Painters
Talk
Differ
Language
Household
Art
Studio
Must
Studios

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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
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Order is a necessary condition for making a structure function. A physical mechanism, be it a team of laborers, the body of an animal, or a machine, can work only if it is in physical order.
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Order is a prerequisite of survival therefore the impulse to produce orderly arrangements is inbred by evolution.
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It is good to live in a country where all are immigrants ... the newcomer is simply the latest arrival.
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The foreign accent was a promise, and indeed, all over the country, European imports added spice to the sciences, the arts, and other areas. What one had to give was not considered inferior to what one received.
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Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
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The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
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When a system is considered in two different states, the difference in volume or in any other property, between the two states, depends solely upon those states themselves and not upon the manner in which the system may pass from one state to the other.
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When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
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Entropy theory is indeed a first attempt to deal with global form but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.
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The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, sees things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.
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The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind.
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A revolution must aim at the destruction of the given order and will succeed only by asserting an order of its own.
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Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. Suspension of disbelief has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
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Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination.
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A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.
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