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Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.

Rudolf Arnheim

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Rudolf Arnheim
Age: 102 †
Born: 1904
Born: July 15
Died: 2007
Died: June 9
Art Historian
Author
Film Critic
Film Scholar
Pedagogue
Psychologist
University Teacher
Writer
Berlin
Germany
Rudolph Arnheim
Language
Household
Art
Studio
Must
Studios
Good
Painter
Smell
Although
Sculptors
Theory
Painters
Talk
Differ

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When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
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Every act is a visual judgement.
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As one gets older, it happens that in the morning one fails to remember the airplane trip to be taken in a few hours or the lecture scheduled for the afternoon.
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The least touchable object in the world is the eye.
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In many instances, order is apprehended first of all by the senses.
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A revolution must aim at the destruction of the given order and will succeed only by asserting an order of its own.
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Now equilibrium is the very opposite of disorder.
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Entropy theory is indeed a first attempt to deal with global form but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.
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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
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The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind.
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At one of the annual conventions of the American Society for Aesthetics much confusion arose when the Society for Anesthetics met at the same time in the same hotel.
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It is good to live in a country where all are immigrants ... the newcomer is simply the latest arrival.
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The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.
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Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. Suspension of disbelief has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
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The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, sees things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.
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When a system is considered in two different states, the difference in volume or in any other property, between the two states, depends solely upon those states themselves and not upon the manner in which the system may pass from one state to the other.
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Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
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Order is a prerequisite of survival therefore the impulse to produce orderly arrangements is inbred by evolution.
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The rehabilitation of order as a universal principle, however, suggested at the same time that orderliness by itself is not sufficient to account for the nature of organized systems in general or for those created by man in particular.
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In a land of immigrants, one was not an alien but simply the latest arrival.
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