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Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.

Rudolf Arnheim

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Rudolf Arnheim
Age: 102 †
Born: 1904
Born: July 15
Died: 2007
Died: June 9
Art Historian
Author
Film Critic
Film Scholar
Pedagogue
Psychologist
University Teacher
Writer
Berlin
Germany
Rudolph Arnheim
Although
Sculptors
Theory
Painters
Talk
Differ
Language
Household
Art
Studio
Must
Studios
Good
Painter
Smell

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At one of the annual conventions of the American Society for Aesthetics much confusion arose when the Society for Anesthetics met at the same time in the same hotel.
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Now equilibrium is the very opposite of disorder.
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A revolution must aim at the destruction of the given order and will succeed only by asserting an order of its own.
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The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
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The rehabilitation of order as a universal principle, however, suggested at the same time that orderliness by itself is not sufficient to account for the nature of organized systems in general or for those created by man in particular.
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Order is a necessary condition for making a structure function. A physical mechanism, be it a team of laborers, the body of an animal, or a machine, can work only if it is in physical order.
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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
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The least touchable object in the world is the eye.
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Order is a prerequisite of survival therefore the impulse to produce orderly arrangements is inbred by evolution.
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When a system is considered in two different states, the difference in volume or in any other property, between the two states, depends solely upon those states themselves and not upon the manner in which the system may pass from one state to the other.
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Entropy theory is indeed a first attempt to deal with global form but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.
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The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, sees things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.
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When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
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The clarification of visual forms and their organization in integrated patterns as well as the attribution of such forms to suitable objects is one of the most effective training grounds of the young mind.
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Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. Suspension of disbelief has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
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As one gets older, it happens that in the morning one fails to remember the airplane trip to be taken in a few hours or the lecture scheduled for the afternoon.
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A system is in equilibrium when the forces constituting it are arranged in such a way as to compensate each other, like the two weights pulling at the arms of a pair of scales.
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A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.
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Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination.
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