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At one of the annual conventions of the American Society for Aesthetics much confusion arose when the Society for Anesthetics met at the same time in the same hotel.

Rudolf Arnheim

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Rudolf Arnheim
Age: 102 †
Born: 1904
Born: July 15
Died: 2007
Died: June 9
Art Historian
Author
Film Critic
Film Scholar
Pedagogue
Psychologist
University Teacher
Writer
Berlin
Germany
Rudolph Arnheim
American
Aesthetics
Much
Hospitality
Conventions
Time
Aesthetic
Hotel
Anesthetics
Confusion
Arose
Mets
Annuals
Society
Annual

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As one gets older, it happens that in the morning one fails to remember the airplane trip to be taken in a few hours or the lecture scheduled for the afternoon.
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The foreign accent was a promise, and indeed, all over the country, European imports added spice to the sciences, the arts, and other areas. What one had to give was not considered inferior to what one received.
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Nothing is more humbling than to look with a strong magnifying glass at an insect so tiny that the naked eye sees only the barest speck and to discover that nevertheless it is sculpted and articulated and striped with the same care and imagination.
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Entropy theory is indeed a first attempt to deal with global form but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.
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In a land of immigrants, one was not an alien but simply the latest arrival.
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The ambition of instantaneous photography... was that of preserving the spontaneity of action and avoiding any indication that the presence of the picture taker had a modifying influence on what was going on.
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The arts are neglected because they are based on perception, and perception is disdained because it is not assumed to involve thought.
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Some popular quotations smell of airless closets. They exhale the stale imagination of the intellectual lower middle class. Suspension of disbelief has become one of them. Dressed up as a scintillating double negation, it serves the pedestrian notion of art as illusion.
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Order is a necessary condition for making a structure function. A physical mechanism, be it a team of laborers, the body of an animal, or a machine, can work only if it is in physical order.
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In many instances, order is apprehended first of all by the senses.
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Form is sometimes considered a mere spice added by the artist to the representation of objects in order to make it pleasurable.
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A revolution must aim at the destruction of the given order and will succeed only by asserting an order of its own.
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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
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The least touchable object in the world is the eye.
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The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.
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A good documentary or educational film is not raw experience. The material has passed the mill of reason, it has been sifted and interpreted.
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Order is a prerequisite of survival therefore the impulse to produce orderly arrangements is inbred by evolution.
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Good art theory must smell of the studio, although its language should differ from the household talk of painters and sculptors.
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The rehabilitation of order as a universal principle, however, suggested at the same time that orderliness by itself is not sufficient to account for the nature of organized systems in general or for those created by man in particular.
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It is good to live in a country where all are immigrants ... the newcomer is simply the latest arrival.
Rudolf Arnheim