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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity.

Roy Lichtenstein

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Roy Lichtenstein
Age: 73 †
Born: 1923
Born: October 27
Died: 1997
Died: September 29
Artist
Designer
Jewelry Designer
Lithographer
Painter
Scenographer
Sculptor
University Teacher
Manhattan borough
New York City
Roy Fox Lichtenstein
Roy F. Lichtenstein
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Oddities
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Forget
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More quotes by Roy Lichtenstein

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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American it will be universal.
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Color is crucial in painting, but it is very hard to talk about.
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There must be something about art... almost all cultures have done art. It's a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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In America the biggest is the best.
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My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way.... People mistake the character of line for the character of art. But it's really the position of line that's important, or the position of anything, any contrast, not the character of it.
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I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
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Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
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All my art is in some way about other art, even if the other art is cartoons.
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I'm never drawing the object itself I'm only drawing a depiction of the object - a kind of crystallized symbol of it.
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I like to pretend that my art has nothing to do with me.
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Use the worst colour you can find in each place - it usually is the best.
Roy Lichtenstein
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn't. It's a convention.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
Roy Lichtenstein
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I don't think that I'm over his influence but they probably don't look like Picassos Picasso himself would probably have thrown up looking at my pictures.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn't what I was interested in. All of it had an impact - as did happenings - because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn't the direction I really wanted to go.
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You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
Roy Lichtenstein