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Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
Roy Lichtenstein
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Roy Lichtenstein
Age: 73 †
Born: 1923
Born: October 27
Died: 1997
Died: September 29
Artist
Designer
Jewelry Designer
Lithographer
Painter
Scenographer
Sculptor
University Teacher
Manhattan borough
New York City
Roy Fox Lichtenstein
Roy F. Lichtenstein
Started
Almost
Picasso
Getting
Cartoons
Away
Cartoon
Thought
Paintings
Done
Painting
Even
Influence
Always
Huge
More quotes by Roy Lichtenstein
I dont have big anxieties. I wish I did. Id be much more interesting.
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You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.
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In America the biggest is the best.
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Organized perception is what art is all about.
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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
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Yeah, you know, you like it to come on like gangbusters, but you get into passages that are very interesting and subtle, and sometimes your original intent changes quite a bit.
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A number of artists have done things with Mickey Mouse - including Claes Oldenburg and Andy Warhol. He's such an American symbol, and such an anti-art symbol.
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Im not really sure what social message my art carries, if any. And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity.
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn't. It's a convention.
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My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
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I don't think that I'm over his influence but they probably don't look like Picassos Picasso himself would probably have thrown up looking at my pictures.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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I'm never drawing the object itself I'm only drawing a depiction of the object - a kind of crystallized symbol of it.
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Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
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But usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
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Outside is the world it's there. Pop Art looks out into the world.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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