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Picasso's always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.

Roy Lichtenstein

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Roy Lichtenstein
Age: 73 †
Born: 1923
Born: October 27
Died: 1997
Died: September 29
Artist
Designer
Jewelry Designer
Lithographer
Painter
Scenographer
Sculptor
University Teacher
Manhattan borough
New York City
Roy Fox Lichtenstein
Roy F. Lichtenstein
Getting
Cartoons
Away
Cartoon
Thought
Paintings
Done
Painting
Even
Influence
Always
Huge
Started
Almost
Picasso

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I dont have big anxieties. I wish I did. Id be much more interesting.
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Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American it will be universal.
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All my art is in some way about other art, even if the other art is cartoons.
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My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
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I'm never drawing the object itself I'm only drawing a depiction of the object - a kind of crystallized symbol of it.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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Outside is the world it's there. Pop Art looks out into the world.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn't what I was interested in. All of it had an impact - as did happenings - because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn't the direction I really wanted to go.
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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity.
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I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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Color is crucial in painting, but it is very hard to talk about.
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I like to pretend that my art has nothing to do with me.
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Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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Organized perception is what art is all about.
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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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I don't think that I'm over his influence but they probably don't look like Picassos Picasso himself would probably have thrown up looking at my pictures.
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