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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there's another purpose to it.

Roy Lichtenstein

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Roy Lichtenstein
Age: 73 †
Born: 1923
Born: October 27
Died: 1997
Died: September 29
Artist
Designer
Jewelry Designer
Lithographer
Painter
Scenographer
Sculptor
University Teacher
Manhattan borough
New York City
Roy Fox Lichtenstein
Roy F. Lichtenstein
Another
May
Even
Like
Abstract
People
Everybody
Purpose
Understand
Art

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Use the worst colour you can find in each place - it usually is the best.
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Pop Art is industrial painting. I think the meaning of my work is that it is industrial, it's what all the world will soon become. Europe will be the same way, soon, it won't be American it will be universal.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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I don't think that I'm over his influence but they probably don't look like Picassos Picasso himself would probably have thrown up looking at my pictures.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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Im not really sure what social message my art carries, if any. And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
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In America the biggest is the best.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.
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Organized perception is what art is all about.
Roy Lichtenstein
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Art doesn't transform. It just plain forms.
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I like to pretend that my art has nothing to do with me.
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I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
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People think one-point and two-point perspective is how the world actually looks, but of course, it isn't. It's a convention.
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn't what I was interested in. All of it had an impact - as did happenings - because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn't the direction I really wanted to go.
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All my art is in some way about other art, even if the other art is cartoons.
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The big tradition, I think, is unity. And I have that in mind and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist's vision.
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My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
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Im interested in what would normally be considered the worst aspects of commercial art. I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
Roy Lichtenstein