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I'm sure that a French production of this [Maigret series] would be different. For better or worse, who's to say, but probably not very good for 8 o'clock on ITV.

Rowan Atkinson

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Rowan Atkinson
Age: 69
Born: 1955
Born: January 6
Actor
Comedian
Electrical Engineer
Film Actor
Film Producer
Manufacturer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Mr Bean
Rowan Sebastian Atkinson
Good
Productions
Would
Clock
Worse
Series
Probably
Sure
Maigret
Better
French
Different
Production

More quotes by Rowan Atkinson

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The right to ridicule is far more important to society than any right not to be ridiculed because one in my view represents openness - and the other represents oppression.
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I like to juggle with one ball at a time. Then I put the ball down and do nothing for extended periods of time.
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I can be reasonably funny and light-hearted when I'm in the company of good friends, but I'm not a jokesmith. I tend to be quite serious.
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I want to express myself in a different way. I have a performing inclination.
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Look, if I'd wanted a lecture on the rights of man, I'd have gone to bed with Martin Luther.
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The character [Maigret] is bound to change and develop, and I wouldn't like to claim that we are perfectly formed straight out of the box. I think it's what I'd call an 'optimistic start'. As you know, for me, no glass is anything other than half empty, so I apologise for my reticence in terms of promoting this programme.
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It's not easy to take a sit-com and turn it into a feature.
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I like to relish words and sentences, and phraseology, and there's not much facility for that [playing Maigret].
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You're about as useful as a one-legged man at an arse kicking contest.
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[Georges] Simenon could be very brave like that. You never quite know what you're going to get or how the story's going to be told.
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I have to say that I've always believed perfectionism is more of a disease than a quality. I do try to go with the flow but I can't let go.
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At the moment, I'm certainly not thinking 'never again', but neither am I thinking 'I can't wait to play that part again'. I'm somewhere in between.
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When you play a serious role, as far as I'm concerned, I feel I'm using exactly the same skills, whatever they are, to play the role as you do with something more obviously comic. It's slightly different muscles, but the same skill set.
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The good thing about those original credit card commercials was that they were very filmic, they were like little movies, so it wasn't a big step to think well maybe we could make a big movie using this character, which we eventually did.
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Certainly in the second film [Maigret's Dead Man], which is quite a more unpleasant and darker story, it's quite different in tone and feel.
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To Be Successful You Don't Need Beautiful Face And Heroic Body, What You Need is Skillful Mind And Ability To Perform
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If you're a serious actor, it's when you know you're going to die tomorrow that you really start to feel it.
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Get that right, then- if you get the quality right, then the marketability or whatever your ability to sell videos or your ability to earn money or whatever, will follow naturally. But try to be creatively lead rather than market lead. And that's important to me.
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It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
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It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.
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