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[Maigret] is more internal. I think if we made more of these I might let him out a bit.

Rowan Atkinson

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Rowan Atkinson
Age: 69
Born: 1955
Born: January 6
Actor
Comedian
Electrical Engineer
Film Actor
Film Producer
Manufacturer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Mr Bean
Rowan Sebastian Atkinson
Internals
Internal
Bits
Might
Made
Think
Thinking
Maigret

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Look, if I'd wanted a lecture on the rights of man, I'd have gone to bed with Martin Luther.
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[Georges] Simenon could be very brave like that. You never quite know what you're going to get or how the story's going to be told.
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Confronting a stadium audience, you can't see the whites of their eyes. It's just an amorphous mass of noise and, of course, you can't see the alleged billions watching at home either, so the degree to which you are intimidated is quite low.
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I think you're bound to get a sense of any character that you play. It's not something you often do in comedy.
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I like to relish words and sentences, and phraseology, and there's not much facility for that [playing Maigret].
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I have always regarded Mr. Bean as a timeless, ageless character, and I would rather he be remembered as a character mostly in his 30s and 40s.
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The Scarlet Pimpernel is the most over-rated human being since Judas Iscariot won the A.D.31 'Best Disciple' competition.
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The first couple of weeks of filming were quite tricky for me to find my feet with the character [Maigret], which wasn't helped by the story that we were telling.
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I'm not a naturally funny man. I find that I can only be funny, if I become someone else.
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It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
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I find his films about as funny as getting an arrow through the neck and discovering there's a gas bill tied to it.
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I've no desire to hang around with a bunch of upper-class delinquents, do twenty minutes' work and then spend the rest of the day loafing about in Paris drinking gallons of champagne and having dozens of moist, pink, highly experienced French peasant girls galloping up and down my - hang on.
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Certainly in the second film [Maigret's Dead Man], which is quite a more unpleasant and darker story, it's quite different in tone and feel.
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