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The problem with Maigret is he hasn't got a limp, and he hasn't got a lisp, and he hasn't got a French accent, or a particular love of opera... or all those other things that people tend to attach to many fictional detectives. He's just an ordinary guy doing an extraordinary job, in a very interesting time.

Rowan Atkinson

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Rowan Atkinson
Age: 69
Born: 1955
Born: January 6
Actor
Comedian
Electrical Engineer
Film Actor
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Manufacturer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Mr Bean
Rowan Sebastian Atkinson
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Maigret

More quotes by Rowan Atkinson

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I have to say that I've always believed perfectionism is more of a disease than a quality. I do try to go with the flow but I can't let go.
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Mr. Bean is at his best when he is not using words, but I am equally at home in both verbal and nonverbal expression.
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It's the demand in many ways of modern television drama - it's very low key and naturalistic, and, generally speaking, the characters that I've played have not been low key and naturalistic.
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I like to relish words and sentences, and phraseology, and there's not much facility for that [playing Maigret].
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Your services might be as useful as a barbershop on the steps of a guillotine.
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[Georges] Simenon could be very brave like that. You never quite know what you're going to get or how the story's going to be told.
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[Maigret] is more internal. I think if we made more of these I might let him out a bit.
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To Be Successful You Don't Need Beautiful Face And Heroic Body, What You Need is Skillful Mind And Ability To Perform
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But I always feel that whatever I do, I could do better. I suppose it is perfectionism.
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You're about as useful as a one-legged man at an arse kicking contest.
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The older you get, the more you realise how happenstance... has helped to determine your path through life.
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But, actually, so many of the clerics that I've met, particularly the Church of England clerics, are people of such extraordinary smugness and arrogance and conceitedness who are extraordinarily presumptuous about the significance of their position in society.
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It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.
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We still have a tradition certainly in English television it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.
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It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
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Monty Python crowd half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
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At the moment, I'm certainly not thinking 'never again', but neither am I thinking 'I can't wait to play that part again'. I'm somewhere in between.
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The clear problem of the outlawing of insult is that too many things can be interpreted as such. Criticism, ridicule, sarcasm, merely stating an alternative point of view to the orthodoxy, can be interpreted as insult.
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When you play a serious role, as far as I'm concerned, I feel I'm using exactly the same skills, whatever they are, to play the role as you do with something more obviously comic. It's slightly different muscles, but the same skill set.
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I think in many ways Johnny English is a more believable character.
Rowan Atkinson